Fan-fiction has proven to be more than just a fad or niche pastime for a small group of people. At its core, fan-fiction is fiction written by in the fictional universe or including the same characters of that of a certain media that they are a fan of (ie. television show, novel). Often times these stories fill in backstory for different characters or explore new themes and ideas that the media did not cover (recontextualization, refocalization, etc.) . Perhaps more interesting is the more controversial “slash-fiction”, in which sexual relationships and impulses are explored between characters of fictional texts that did not occur in the original version. An example is the below image of two male Star-Trek characters, an imagined concept created by a fan for fictional purposes:
On the surface, fan-fiction does not seem particularly interesting. So young people are writing cheesy backstories for sci-fi characters, who cares? Well, I think in a sense writing fan-fiction works as a modern day diary entry, where young, confused and impressionable teenagers and young adults alike can express their bottled up feelings about sexuality, race and gender equality and relations, politics, and other larger cultural ideas. The fan-fiction writers imagine themselves in the scenarios they write about, but instead of “personalization” where they literally write themselves into the stories, they express emotions and ideas through characters who they feel comfortable and identify with. It is in this way that it works as a sort of diary entry because although the fiction is often posted into public forums, it is anonymous as they hide behind the identities of the characters they write about. On top of this, readers of the fan-fiction are able to better understand their own sexuality and other feelings through these so called “diary-entries” of others. Take for example the girl in this Vice article who talks about how reading and creating fan-fiction worked as the sexual education she wasn’t getting from her family and friends:
http://www.vice.com/en_ca/read/fan-fiction-is-the-sexual-education-i-gave-myself
This example demonstrates how the diaries not only work as diary entries for the people who write them, but also for the people who read them, who may then be inspired to write their own material or have conversations and dialogue about things they may before would have been to reserved about. Which leads me to what I’d like to talk about next in terms of how fan-fiction writing transcends its surface purpose, which is its ability to bring people together.
Subcultures are nothing new, and have existed as an alternative to mainstream culture for some time now. From the 1960s hippies in San Francisco to the mods and the rockers in 1970s London, subcultures have been well known and present historically. What is more of a recent phenomenon however is online "fandom" subcultures. Participants of these online subcultures practice similar traits to those who are part of traditional subcultures such as secret languages, distinct style, or inside jokes, but do so online. The members of these online subcultures cherish the source material that they have built their subculture around and work hard to protect continuity and canon, making sure what they are doing is authentic. What is interesting to these online subcultures is similar to that of fan-fiction writers in the way it brings people together to share and express. The internet provides a forum for bringing people of all different cultures together that is unprecedented and the result is a groups of like-minded individuals coming together and expressing themselves who would have never been able to do so before.
Thus far, this post has highly praised fan-fiction, fandom, and the subcultures that it has created. However, there are some aspects that can be considered as negative. For example, in "Crowdfunding: A Spimatic application of digital fandom" Booth (2015) points out that some scholars argue that aspects of participatory culture such as crowdfunding can actually take advantage of the fans and exploit their money, time, and work. I think, from this perspective, there is something to be said about participatory culture as a negative thing for fans and consumers. One example that comes to mind is the Doritos "Crash the Super Bowl" campaign, where audience members were encouraged to submit their own commercials for a chance for theirs to appear during the Super Bowl. Here are a few of the more humorous examples:
Thus far, this post has highly praised fan-fiction, fandom, and the subcultures that it has created. However, there are some aspects that can be considered as negative. For example, in "Crowdfunding: A Spimatic application of digital fandom" Booth (2015) points out that some scholars argue that aspects of participatory culture such as crowdfunding can actually take advantage of the fans and exploit their money, time, and work. I think, from this perspective, there is something to be said about participatory culture as a negative thing for fans and consumers. One example that comes to mind is the Doritos "Crash the Super Bowl" campaign, where audience members were encouraged to submit their own commercials for a chance for theirs to appear during the Super Bowl. Here are a few of the more humorous examples:
Now, this may seem fine and innocent, but through a more critical lens it appears that this competition is exploitative in the same way crowdfunding for major film and television production is. Here, instead of money, fans are being "exploited" for their creativity. I emphasize exploited because that's assuming you consider this and crowdfunding to be exploitation. Personally, I agree with the other scholars that Booth includes in the article, who point out that fans are well aware of their role and therefore are not exploited. I think the same way that fan-fiction gives people a level of agency and voice they have not had in the past, participatory culture driven by fandom allows fans the opportunity to play a more meaningful role in their favourite texts and brands.
Sources:
Booth, P. (2015). Crowdfunding: A Spimatic
application of digital fandom. New Media & Society, 17(2). 149-166
Sullivan, J. (2013). Media Audiences, Effects, Users, Institutions, Power. California: SAGE Publications.
Syfret, W. (2015, August 28). Fan Fiction is the Sexual Education I Gave Myself. Retrieved from: http://www.vice.com/en_ca/read/fan-fiction-is-the-sexual-education-i-gave-myself